![]() ![]() ![]() Architecture photographer Roberto Conte’s photo series, examining Brutalist forms built between the 1960s and ‘80s, is vibrant. When this approach is departed from in favor of color, another understanding of Brutalist architecture in different contexts takes shape. Save this picture! Antoine Romanos-designed building in Achrafieh, Beirut. In Beirut, architect Hadi Mroue similarly opted for Black-and-White photography, rectilinear structures designed by Antoine Romanos and Gregoire Serof depicted in this way to emphasize the slab form of their roofscapes. Rodolfo Lagos’ photographs of Barcelona’s Brutalist sights are Black-and-White snapshots, for instance, emphasizing the geometric exteriors of icons such as the Colon Building and Claudio Carmona’s Autopistas Acesa. With Brutalism’s emphasis on form and materiality, some photographers elect to not shoot in color, allowing the architectural elements of Brutalist architecture to take center stage, in addition to highlighting highly dramatic interplays of light and shadow. Photographers of Brutalist architecture, in the visual and compositional techniques they use, and in the choice of subject matter, have told extremely diverse narratives of this highly evocative architectural style. Our understanding of many buildings, however - due to the practical limitation of not being able to visit every structure in the world - is gleaned from photographs, something that is heightened in today’s technological reality (take the popularity of image-sharing platform Instagram). A likely reason for this endurance is - with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.Įxperiencing architecture is a spatial and physical affair. From its origins as a by-product of the Modernism movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. Sometimes sculptural and expressive, sometimes monolithic and monotonous, the Brutalist architectural style is equal parts diverse and divisive. ![]()
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